El-Branden Brazil

Photographer, Writer & Mystic Traveller

Posts tagged ‘Sacred’

Mystical Encounters Of The Unexpected Kind

ramana_wideWhilst I was visiting Kochi in southern India, in 2004, I purchased a book, A Search For Secret India by Paul Brunton. It is a wonderfully nostalgic read, as it was written back in 1933. The book charts the adventures of the author in his quest to find genuine gurus and purveyors of Truth. What attracted me to the book, was the backcover’s claim that Mr Brunton finally discovered a true master. Regardless, the book was an enchanting travel companion.

As my journey in India was coming to a close, I found myself in delightful Pondicherry. I had reached a point where I was too close to Chennai to make any further long distance excursions, but I did not want to spend all my remaining time in either Pondicherry or Chennai. I asked some of the tsunami relief volunteers I had worked with, if they recommended any places to visit. They suggested that I go to Thiruvannamalai, which is located about two and a half hours drive inland from Pondicherry, because it is home to one of Hinduism’s holiest temples. I had no knowledge of this place, but it seemed conveniently located for my return journey to Chennai.

The night before my departure, I arranged for a car to take me to Thiruvannamalai. The Hindu man who helped arrange my driver, asked me if I was visiting the ashram (a spiritual hermitage or a monastery). I had no idea which ashram he was talking about, but rapidly our conversation evolved into one concerning mystical issues. I was immediately taken by the tone of this enigmatic and fascinating man. As I was leaving, he grabbed both my hands, and with deep conviction, asked for God to touch me. It was unexpected and very potent.

The next morning, a driver was there waiting for me at my hotel. When I got into the car, he asked where I was staying in Thiruvannamalai. Before I could even answer, he suggested the ashram. Since I had not yet organised a potential hotel to stay, I agreed to be dropped off at the mysterious ashram that I had no knowledge of at all. At least when I stayed at Amachi’s ashram during that Christmas, I knew of her movement.

As we approached Thiruvannamalai, I was immediately struck by the dominating mountain of Arunachala – a giant rocky peak of red and grey stone. In my ignorance, I did not realise that I was at one of the holiest Hindu sites, where the god, Lord Shiva, is thought to reside. Pilgrims climb the steep, stony peak barefooted each day.

In the shadow of the mountain, is the impressive Arunachala temple. It is very similar in design and scale to the temples found in Madurai, except the towers remain in their natural stone shades, as opposed to the usually gaudy-painted variety.

We finally arrived at the enigmatic ashram. I paid my driver and headed through the gates. As to be expected, I discovered the usual Indian-garbed Westerners, as I walked up to the office. I asked for accomodation, but was abruptly told that without a reservation it was impossible to stay. The manner was very curt, so I decided to leave immediately. I was, to say the least, unimpressed. I took an auto rickshaw back into town, and managed to get a basic, but very clean room at the friendly Trishul Hotel, which is located very closely to the temple.

After strolling about the vibrant town, I settled in for the night with my engrossing book, A Search For Secret India. I was flicking through the back pages, when suddenly the word “Arunachala” caught my eye. As I read further, the guru who had so impressed Paul Brunton in the 1930’s, was none other than Sri Ramana Maharshi, the guru whose ashram I had briefly visited that day. Suddenly, Brunton’s book came alive, as he described places that were all around me. I had to find out more about this guru who I knew so little about.

In Brunton’s book, he describes astounding experiences shared with Maharshi, who would meditate for hours a day. According to various biographical sources, it seems that Maharshi had been profoundly moved by an experience he had when he was 16, where he was given an insight into the nature of death. After his mystical revelation, against the wishes of his parents, he travelled from Madurai to Arunachala, where he remained until his death in 1950. He desired no followers, gifts or support, other than donations of food, and spent his younger years in a tiny cave on the mountain. Gradually, this charismatic man soon gained a reputation for his incomparable insights, and a small, basic ashram was built for him, at the base of Arunachala.

Brunton, who had searched across India for men of divine wisdom, finally found Maharshi, and was immediately taken by this great man. What impressed him enormously, was Maharshi’s lack of interest in acquiring disciples of any type. People who shared space with Maharshi, were often touched by some sort of exceptional vibration that would imbue a taste of enlightenment.

This certainly engaged my interest, and I was particularly curious about the manner in which I had ended up in this town. There were so many synchronistic moments that seemed to have some underlying reason for I being here. Of course, it could also be down to chance and coincidence, but the magic of India had intoxicated me with spiritual potentials. Instead of staying only a couple of days, I had to extended my time.

Recently UpdatedWhen I returned to the ashram the next day, I was immediately aware of how simple and small it was, compared to the grandiosity of the other ashrams I had visited. This was not a place designed to impress or convert people; it was rather a humble place of devotion and meditation. Even the Westerners there, seem like a calmer, less phony group. Perhaps, the teachings of Maharshi are so precise that there is no room for the luxury of phoniness.

I must admit, as I sat next to the hall where Brunton had experienced such an overwhelming connection with Maharshi, all those years back in 1932, I felt that this was the closest that I have perhaps ever come to a truly enlightened man, even though he had passed away so long ago.

The motivation that drove Maharshi was entirely selfless and unique, with none of the self-promotion that follows so many gurus. Maharshi’s teachings, as I rudimentarily understand them, are entirely in accordance with the deepest insights to be found in all religions. He does not promote a particular religion, but rather a way forward for attaining happiness. What an honour it was to discover one of those rare lights of humanity.

I later met the Indian man who had been curt with me previously when I arrived, and found him to be charming and informative. Walking around the ashram undisturbed, it gave me enormous pleasure to find the spots where Brunton had experienced incidents so long ago. The calm of that humble ashram will remain forever with me, and I hope that I will once again visit.

Awakenings At A Zen Temple

Zen Garden
Photography by El-Branden Brazil

When I was a young child, I began to have an interest in Buddhism. This started from curiosity about the strange, mysterious Eastern statues that cluttered my late uncle’s house in London. He had a fine collection of Buddhas from all corners of Asia; each displaying their individual cultural design. There was something intriguing in their benevolent smile that just enticed me to learn more.

At 12, I started to build a small collection of books devoted to mysticism around the world. I prized a set of encyclopaedias, called Man, Myth & Magic, which covered every topic regarding occultism, religion, legends and Anthropology. Within, were a grand array of images that to this day remain potent in my mind; particularly those of Buddhist monks meditating at Zen gardens in Japan.

In a secondhand bookshop in London, I purchased my first book on Zen, written by Christmas Humphreys. It was a slender volume, with an image of an Asian tiger on the front. The next book I purchased on the subject, again in London, was a delightful tome by Shunryu Suzuki, Zen Mind, Beginner’s Mind. I found this book to be a clear gateway into understanding the point – if there is indeed a point – to Zen.

In those young years, Zen had enormous appeal to me, even though I had much to learn. I adored the design and art of Zen, with their pristine, clear gardens of raked gravel and precisely placed rocks. It was exotic for a small English boy dreaming of travelling to far-flung places. I kept this interest quiet, as I was a non-Catholic at a Catholic school.

At long last, I finally completed my school studies, graduated from university and I was now an adult free in the big old world. Within six months of graduation, I moved to Japan. Inevitably, high on my priority list of places to visit in this most curious of countries were the Zen temples of Kamakura. It was a childhood dream to see with my very own eyes the scenes that had attracted me so much in the pages of my books.

In no time, I was heading away from Tokyo to my first Zen temple, on what now seems like such an innocent adventure into the unknown. I got off the train in Kita-Kamakura and took a short walk to a nearby temple, called Enkaku-ji. I felt myself pulsating with joy to see a real living Zen temple.

Enkaku-ji was selected by the Hojo clan, towards the end of the Kamakura period – when the town was the capital of Japan – as one of the five most important Zen temples. The Rinzai school of Zen is practiced within, and to this day, it remains an important place for the study of Zazen (meditation).

As I moved closer to the main central complex, enamoured with delight, I came across a small door, with an improvised sign stuck to it. Written on a piece of paper, in English, were the clear words ‘Come in.’ My mind was abuzz with excitement that just maybe I would finally meet a real Zen monk within, who would take me under his wing and lead me to Satori (instant enlightenment). I clasped the small ring handle and turned it, full of trepidation and curiosity…

…The door opened and at this point, a monk, dressed in black robes, came screaming towards me, ‘GET OUT! GET OUT!’ It was not the moment I had dreamt of as a child! I quickly made a retreat, feeling ejected, rejected and dejected that I had been scorned by a holy man for opening a door.

As I walked away, I started to chuckle to myself, as I realised what a classic Zen lesson I had been taught. Instantly, the ‘exotic’ which had intoxicated my mind, and had become a distraction from a truer understanding of Buddhism, was now instantly removed. For the first time, I recognised that the tranquil, idealised monks in my Western books were, in fact, no different than I. To this day, I thank that monk for treating me in such a brusque manner.

Reality Insecurities

The following two poems were written in 1998.  The second poem, Alternative Realities, is an abridged version of the first. The painting, Birdman, was also created in 1998.

REALITY INSECURITIES

The Aria ascended –
Claiming Rights and Giving Honour
To my Visions and Conjectures
In all its graceful turns:
Its pitches, its rises, its fluctuating rhymes –
Bound my mind from doing painful solemn time.

And yet, how foolish is my mind
That I can think I know
Not what is out beyond the hills,
But what lies out beyond the eye?

Reality twists from back and forth
In its cylindrical, distant tangled webs,
While the River flows, tingles, ebbs
So quietly on beyond all sense.

– El-Branden Brazil

ALTERNATIVE REALITIES

Fluctuating Rhymes –
their time,
their signs.

My mind I know –
the hills,
the eye,
and forth
the webs of their deceit.

And forth and forth
the distant river soars.
And forth and forth
until there is no more.

– El-Branden Brazil 

Bird Man

Painting by El-Branden Brazil

Thresholds To Secret Gardens

Photography by El-Branden Brazil

Photography by El-Branden Brazil

In fantasy literature, a reoccurring theme that is present in a vast number of classic tales, is that of portals to other worlds.

Whether it is Lewis Carroll’s Alice In Wonderland, J.M. Barrie’s Peter Pan, Frank L. Baum’s The Wizard Of Oz, Alan Garner’s Elidor, H.P. Lovecraft’s Dreamlands, or J.K. Rowling’s Harry Potter series, all the heroes and heroines of the tales are drawn into exotic lands through some magical entrance between two realities. Arguably, the most popular stories to utilize this theme are C.S. Lewis’s classic Chronicles of Narnia; the most famous being the wardrobe in The Lion, The Witch & The Wardrobe.

This literary tradition has a deep root in human consciousness. Throughout the history of humanity, whether it be through religious, scientific or mystical means, the exploration of inner space, has allowed access to levels of reality and existence beyond the senses. All great art is a manifest of the hidden, whether it is an emotional response in abstraction, or a piece conjured up from within the imagination.

In Aldous Huxley’s The Doors Of Perception, he writes about the powerful experiences he had whilst using the hallucinogenic chemical, mescaline. Again, the metaphor of a door or entrance is used to express the boundary between the everyday world and that of the altered state.

It was Huxley’s conviction that certain substances could open the mind to a reality untainted by sensory prejudices. This belief was not his alone, and has been an integral part of shamanic beliefs the world over, for thousands and thousands of years. It is by no accident that Alice ingests strange chemicals on her journey through Wonderland.

The creation of sacred spaces within a religious context, whether as a church, temple or shrine, or an improvised circle for ritual, are all places where everyday consciousness is banished, and altered states invoked. When we enter a place of worship, the symbols that surround us, trigger a referential change within that allows for prayer, communion with God, or the manifestation of spirits and magic.

The ultimate portal, which is the driving force behind all others, is death – the passing from one state of existence into another. At the centre of all religions, concepts of death dominate; even for the Atheist, who believes that it leads to a bleak black slumber of non-existence.

Shakespeare writes rather solemnly of the crossing over in Hamlet:

‘But that the dread of something after death,
The undiscover’d country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?’

In J.R.R. Tolkien’s The Lord Of The Rings, there is a beautifully reassuring passage describing the threshold of death:

The grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.’

Kannon & Bamboo In Tokyo by El-Branden Brazil

I took several images of this beautiful statue of the Bodhisattva Kannon (Avalokiteśvara) at a temple near my home, during Summer, Autumn, Winter and Spring.

Summer

Compassionate Kannon In Summer

Photography by El-Branden Brazil

Autumn

Photography by El-Branden Brazil
Photography by El-Branden Brazil

Winter

Photography by El-Branden Brazil
Photography by El-Branden Brazil

Spring

Photography by El-Branden Brazil
Photography by El-Branden Brazil